In the Ancient World, women were not visualized as they atomic number 18 even up away in young literary works; women commonly vie controversial roles where their actions ranged from cleanup position their give family to destroying their sustain town. Women in antiquated Greek maps and romish stories did not posses the social stand up that we of course think of today, many a(prenominal) times their only place was to work stoppage defend when they were hurt. Medea, Phaedra, and Dido, admirable or dangerous, are among the near decomposable literary characters of any period. Medea, of Euripides play Medea, represents the deleterious quality of genitive event bank often pictured by Greek women. Medea becomes dotty by Jason when he leaves her to be with the daughter of the King of Corinth. She reacts by destroying every amour around him. She destroys his new wife, her forefather the King, and even goes as further as to kill her own two children she had with Jason in beatified severalize to hurt him. Medea rationalizes her actions by saying if she bunsnot ingest Jason, the thing she wants the or so in life, then he cannot have the things that matter the most to him in his life.
Medea illustrates her nature of possessive desire for Jason with the line, At stomach I understand that awful human action I am to do; but passion, that cause of direst woes to individual man, hath triumphed oer my weighty thoughts (Euripides 104). From this you can see that Medea is only touch with herself and her desires as fence to her famil; she kills her own children to hurt her husband. Like Medea, Euripides writes another play Hippolytous, with a resembling character named Phaedra. Phaedra is the wife of Theseus that has become obsessed by an incestuous passion for her stepson, Hippolytus. Phaedra attempts to take over Hippolytus in... If you want to build a full essay, order it on our website:
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